Although artificial intelligence is producing major upheavals in the areas of health, transportation, commerce and even art, it is impossible for it to replace human creativity for a very simple reason: machines are not endowed with life, so they are not vulnerable to the existential questions intimately related to birth and death, freedom and determinism as well as memories and the future. Continue reading Concerning A.I., we are still good for a few centuries!
Last June, Kim Wilkie, an artist from London Ontario (Canada), participated in our painting workshop in Tuscany, Studio Italia. While Kim has been working for a while with acrylic paint and threads to produce abstract paintings, in Italy she used soil and other elements found in nature to depict the Tuscan landscape obtaining very interesting results. Continue reading Painting the landscape in a different way
More and more travellers from the developed world are looking for meaningful travels. We are aiming for journeys that allow us to learn something new, to deepen our culture, to enhance our lives. Purpose, inspiration and self-discovery are now vital elements in our traveling choices. Probably, this is why our quality painting workshops offered since 1997, have become more and more popular. Continue reading Travelling with meaning : a painting workshop in Italy
What is an algorithm? It is simply a recipe, a procedure that lists all necessary steps to complete a task. Some of these algorithms are constructed from a vast array of data fluxes created and shared through the multiple existing networks, or information repositories. But what about painting? Are we, artists, in a way protected from this evil thing called algorithm? Continue reading Art and Algorithms
In art, a concept is not self-sufficient, it needs a strong relationship with other ideas that you have acquired during your life time, through your knowledge. In other words, a concept is an amalgamation of many smaller ideas derived from your own ethic, social, cultural values ; and on top of that we have the throw the notion of intention. Continue reading How I see art (4c)