At Walk the Arts we aim to surpass easily-found knowledge on YouTube such as how “to mix your greens”, even “how to paint an Italian landscape”; and if you can learn the latter in a video, why attending a painting workshop in Tuscany? This reality has encouraged us to become a conduit of art knowledge, not a mere repeater of it. Continue reading Meaningful journeys.
What is an algorithm? It is simply a recipe, a procedure that lists all necessary steps to complete a task. Some of these algorithms are constructed from a vast array of data fluxes created and shared through the multiple existing networks, or information repositories. But what about painting? Are we, artists, in a way protected from this evil thing called algorithm? Continue reading Art and Algorithms
In art, a concept is not self-sufficient, it needs a strong relationship with other ideas that you have acquired during your life time, through your knowledge. In other words, a concept is an amalgamation of many smaller ideas derived from your own ethic, social, cultural values ; and on top of that we have the throw the notion of intention. Continue reading How I see art (4c)
I think that there are many ways that I can help spread peace everywhere. Firstly, I must start in my own person. I must be in peace with myself and then with others by treating everyone the same… Continue reading Furtive Peace
To visit a major contemporary art exhibition today is like attending a series of very short spectacles comprising visually striking performances or displays. This search of visual impact in contemporary art is making major international visual arts venues such as the Venice Art Biennale, extremely interesting. In the context of our upcoming trip to visit the Venice Art Biennale 2017, we have invited Roger Sutcliffe to write about the origin of the innovative ways in which contemporary art is now displayed. Who was the person behind this idea and why? Continue reading Art-Spectacle-Art